The engawa was built in traditional Japanese houses between tatami rooms and gardens, serving as a gentle transition between inside and outside. Since becoming the choreographer at the Red Brick Warehouse in 2024, Kojiri has conducted a two-year collaborative research project in Yokohama with the architect Hannes Mayer, examining the engawa from various angles and focusing on its symbolic value of “ambiguity.” Six dancers, including Kojiri, delicately create a space defined by the ambiguous boundary between the self and the outside world society and nature. It is a space where the body embraces the changing seasons and merges with the environment, where memories of past times return and are shared. This dance, which questions the richness lost in our efficiency driven world, itself becomes a new Engawa connecting art and society.