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A workshop on the essence of choreography, for the young choreographer. The workshop will begin with the performance of a work, the continue step by step through a presentation by the choreographer, discussion, analysis using photographs, paintings, and videos, revision, re-performance, and further discussion. Prior to the workshop, participants will be expected to engage in photo reportage to sharpen their sense of how a dance is seen. The focus will be on how the act of "seeing" is reflected in both the choreography and the work. By carefully treating both choreography and dance from the perspective of composition, this workshop is an opportunity for participants to focus intensively on their art. |
■ | Dates |
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Jan.22(Mon) – Jan.26 (Fri) | |
■ | Participation fee(per group) |
\30,000 for the five-day workshop Note: The instructor welcomes participation by groups, including dancers and lighting and sound designers as well as choreographers. The participation fee is owed in full unless the applicant has submitted a cancellation by Dec.22(Fri), 2006. Participation fees received cannot be refunded for any reason. |
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■ | Capacity |
Four choreographers (groups) (Please be aware that the organizers will select among them if the number of applicants exceeds the number of places in the class.) |
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■ | Eligibility |
Choreographers must be from 18 to 40 years old. Each must be able to take part in the entire five-day workshop. (Since they will collaborate with the choreographer in the creative process, the dancers and lighting and sound designers should also take part for all five days, if possible.) Each must be able to present a work for two or more dancers and about 15 minutes long. Participants will present their work on the first and last days of the class. Those performances will be open to the public. Each should complete the assignments below in advance. Note: The YAF will provide lighting and sound operators for the presentations. Participants should work out how they will give their cues. |
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■ | Assignments |
A. Photo Reportage (1) Carry out the following photo reportage project through taking photographs, making observations, and writing down what your observations have led you to think and feel. With respect to the same public space, on a weekday and a holiday, and at different times of day (morning, noon, afternoon, night, etc.), observe the following: a. How does the appearance of the space vary with the changing light? b. How do the rhythms, speeds, and directions people take at different times of day vary? c. How do the sounds vary? d. How do the colors of the space and the architectural structures change? What effect does color have? e. Observe the individual ways the people move. Note small, distinctive movements that have potential for artistic use. f. Observe the sky, the trees, the birds, nature. (2) Give titles to your photographs: Select several from those you took and entitle them. (3) Create a story with your photographs: Use a selection of 8 to 12 of them to create your story. *Organize them like a silent movie, adding dialogue and text, so that someone else can understand what your story is about. *The photo reportage exercise is not for the choreographer alone; the dancers and sound and lighting designers are encouraged to participate as well. *If unable to participate with the choreographer due to time constraints, the other group members should, to share and understand the choreographer’s experience, experience the photo reportage described in (1). Please also write down your ideas and feelings as well, so that you can participate actively in the debate. B. Analysis of a painting (1) Pick your favorite painting and list briefly why it is so important to you. (2) Similarly, pick a painting you dislike and list the reasons why. |
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■ | Place |
Yokohama Red Brick Warehouse Number 1 | |
■ | How to apply |
Fill in the application form below and send it with a video (VHS format) of a work you yourself have choreographed and will perform to the address stated below. Those who have already submitted a video to enter the Yokohama Arts Foundation Yokohama Solo×Duo<Compétition>+ 2006 do not need to send another to apply for the master class. Master Class for Choreographers with Lorrina Barrientos, 2007: Downloadable application form |
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■ | For applications and additional information |
Yokohama Arts Foundation TEL.: 045-682-2015 FAX: 045-682-2045 Email: ydc@yaf.or.jp Yokohama Minatomirai Hall 6F, 2-3-6 Minatomirai, Nishi-ku Yokohama 220-0012, Japan |
Amanda Miller grew up in North Carolina and began her education at the North Carolina School of the Arts. After concluding her training in New York she danced with the Chicago Lyrical Opera Ballet before coming to Berlin to work with the Deutsche Oper Berlin. In 1984 William Forsythe invited her to join his company in Frankfurt, first as a dancer and later as House Choreographer. In 1992 Amanda Miller founded her own company, Pretty Ugly, which since becoming resident in Freiburg in 1997 is now called Ballett Freiburg Pretty Ugly. Amanda Miller continues to work as a freelance choreographer for companies such as Ballett Frankfurt, London Contemporary Dance Theatre, Bat-Sheva Dance Company, Balletto di Toscana, Gulbenkian Ballett, and the Ballet du Grand Théâtre de Genève. Since Jochen Ulrich's company Tanzforum in Cologne had to close in 1997, there had been no dance company in residence there until choreographer Amanda Miller and her Pretty Ugly Dance Company were announced as the new Cologne based dance company. Amanda Miller Amanda Miller Amanda Miller grew up in North Carolina and began her education at the North Carolina School of the Arts. After concluding her training in New York she danced with the Chicago Lyrical Opera Ballet before coming to Berlin to work with the Deutsche Oper Berlin. In 1984 William Forsythe invited her to join his company in Frankfurt, first as dancer and later as House Choreographer. In 1992 Amanda Miller founded her own company Pretty Ugly which since becoming resident in Freiburg in 1997 is now called Ballett Freiburg Pretty Ugly. Amanda Miller continues to work as a freelance choreographer for companies such as Ballett Frankfurt, London Contemporary Dance Theatre, Bat-Sheva Dance Company, Balletto di Toscana, Gulbenkian Ballett and the Ballet du Grand Théâtre de Genève. Since Jochen Ulrich's company Tanzforum in Cologne had to close in 1997, there has been no dance company in residence, until today now, when choreographer Amanda Miller and her Pretty Ugly Dance Company were announced as the new Cologne based dance company. KAWAGUCHI Takao(Performer / Dancer) Amanda Miller grew up in North Carolina and began her education at the North Carolina School of the Arts.A performer and dancer, he has participated since 1996 as a creative member of the performance group Dumb Type. Since 2000, he has also been developing his own solo activities and since 2003 has been collaborating with artists and performers in domains that straddle music and art. Neither dance nor theater, his body of work “can only be described as performance” (Ishikawa Tatsuro, critic, Asahi Shimbun, 12 March 2005). |
■ | Dates |
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Jan.23 (Tue) to Jan.25 (Thur), Jan.27 (Sat), and Jan.28 (Sun) 10:30a.m.–5:30p.m. |
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■ | Instructor |
Amanda Miller | |
■ | Assistant |
KAWAGUCHI Takao(Performer / Dancer) | |
■ | Participation fee |
\15,000 for the five-day workshop. The participation fee is owed in full unless the applicant has submitted a cancellation by Thursday, Dec(Thu) 22, 2006. Participation fees received cannot be refunded for any reason. |
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■ | Number of participants |
20 | |
■ | Eligibility |
This workshop is for dancers with three or more years of dance experience. | |
■ | Place |
Yokohama Red Brick Warehouse Number 1 | |
■ | How to apply |
Amanda Miller Dance Workshop Downloadable application form |
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■ | For applications and additional information |
Yokohama Arts Foundation TEL.: 045-682-2015 FAX: 045-682-2045 Email: ydc@yaf.or.jp Yokohama Minatomirai Hall 6F, 2-3-6 Minatomirai, Nishi-ku Yokohama 220-0012, Japan |
■ | To apply to enter Yokohama Solo×Duo<Compétition>+ 2007, please contact the organizers after April, 2007. |